Amidst the artistic chaos inside the 401 Richmond Building, there is earth; a little grounding refuge has been curated at Open Studio Gallery. Upon first walking into the room, green and warm lightning welcome you into the space. There are five artworks created by three different print-based artists, all actively weaving their practice with botanical material. Alyssa Alikpala, Jenn Law, and Noelle Wharton-Ayer have made me want spring to rush. The tenderness applied by the current Curator & Collections Manager, Rebecca Travis, is palpable in the exhibition. The theme that they decided to focus on excites me and its’ existence could’ve not been at a better time since the snow is melting, the weather is warmer, and there are little sprouts on the earth. The connection between printing practices and earth has been intensified. Despite the space being a little limited, Travis has fruitfully made it seem bigger; the artworks are all cohesive and their earthy nature made me believe that I could listen to the works whisper to each other. The curator trusted Alikpala to put up her work in unusual places  (at the top of the wall, in a little corner; that which only exists in the eyes of the observer); this has opened my perception of the usage of space in the gallery. If I remember right, there was a discussion about using corners in an exhibition. I hadn’t noticed that until it was mentioned, I believe this is an achievement for Travis since for me, the viewer, everything seemed natural and in its place. I didn’t question why there were foraged grasses and wheatpaste growing from the walls.  

     “monster heart, please forgive me these smallest softest askings” (Law) I will now rest and keep this quote close to my heart for the next time I encounter a monstera plant.  

Written by KR.